Eric, a young boy, is excited about his birthday after reading a book and believes that a train will come for him, despite his sister Jill's disbelief.

Featuring an all-star cast, the timeless story comes to life in this all-new, feature-length film filled with fun and adventure!

Laura lives in the country with her considerably older husband. When Nuno, her brother who study in Lisbon, pays a visit, he realizes that his sister does not have a happy life. He initiates a friendship with a worker on the farm. The circumstances turn Laura and Nuno against each other...Portrays the repressed sexuality and homosexual desire in a rural setting and elliptically and delicately the small farming community that serves as the backdrop for the impossible relationships pursued by Laura and her brother.

A family adventure featuring a helpful lesson in listening to your parents and the importance of family. This creative parody of the beloved story of Pinocchio is a classic retelling with a clever VeggieTales twist. Once upon a time, a lonely toymaker named Gelato decided to carve a little boy out of wood. Imagine his surprise when he learned that this little toy boy could walk ... and talk ... and definitely had a mind of his own! When Pistachio tries to do things his way he lands in a "whale" of a situation! Will he decide to listen to the wisdom of a loving father in time to save his whole family from becoming fish food?

Fueled by original music by members of Guns N' Roses, Bad Religion, No Doubt, Skid Row, Toad the Wet Sprocket, Hootie & The Blowfish and more... The Still Life tells the story of artist Julian Lamont who struggles to pick up the pieces of his tattered life in this poignant drama. A reclusive alcoholic, Julian creates a new art genre called Destructionism, and his works catapult him into the limelight. But as his success in the art world grows, Julian loses touch with the artist he truly desires to be, and his personal life soon tailspins out of control.

The film navigates this aftermath observing the signs of an evacuated civilisation. Marine life is represented in murals and as forms of architectural ornamentation. A dolphin remains still, joyfully stuck in mid air, turned to stone. In contrast to constant life and movement underwater, the other side remains still, quiet, and solid in a concrete-made world. Occasionally, the voices projected from the speakers interrupt these silences to make announcements to visitors. 　　The humans are gone but diverse life forms fill the architectural spaces they left behind. It’s as if amongst this absence the architecture and infrastructure of tourism whispers its own story. The pipes that once supplied aquariums and waterslides now breath notes. The curtains of a once luxurious hotel dance in the ocean rhythm. 　　These spectres of tourism are searched within the process of film production. The filmmakers make audible their casual conversations in which they search for meaning and imagine different lifeforms of the future. It might be relevant that a pandemic was sweeping through our world throughout the film’s production. Perhaps the film is a post-apocalyptic projection of their own remembered economic disasters. As a generation that experienced the false promises of progress and freedom, they also look into their own connections with the island of Capaluco: The collapse of the neo-liberal economy in Argentina and failed American dream to a Filipino immigrant.

Missing in action in Vietnam for thirty nine years, the remains of Lt. Jack E. Buchannon, U.S.M.C., are found and identified. He is brought home and awarded the medal of honor and is buried as a fallen hero. His three childhood best friends, all ex-marines and Vietnam veterans, get together after attending the funeral to raise a toast, look back on their lives, their friendships and their service to the country.

The film navigates this aftermath observing the signs of an evacuated civilisation. Marine life is represented in murals and as forms of architectural ornamentation. A dolphin remains still, joyfully stuck in mid air, turned to stone. In contrast to constant life and movement underwater, the other side remains still, quiet, and solid in a concrete-made world. Occasionally, the voices projected from the speakers interrupt these silences to make announcements to visitors. 　　The humans are gone but diverse life forms fill the architectural spaces they left behind. It’s as if amongst this absence the architecture and infrastructure of tourism whispers its own story. The pipes that once supplied aquariums and waterslides now breath notes. The curtains of a once luxurious hotel dance in the ocean rhythm. 　　These spectres of tourism are searched within the process of film production. The filmmakers make audible their casual conversations in which they search for meaning and imagine different lifeforms of the future. It might be relevant that a pandemic was sweeping through our world throughout the film’s production. Perhaps the film is a post-apocalyptic projection of their own remembered economic disasters. As a generation that experienced the false promises of progress and freedom, they also look into their own connections with the island of Capaluco: The collapse of the neo-liberal economy in Argentina and failed American dream to a Filipino immigrant.

A sex-repulsed sailor is infuriated when his adopted daughter falls in love with a local fisherman. In order to continue fueling his shopping addiction and to get back at her, he decides to sell her into sex slavery.

Determined to learn about her boyfriend's past relationships, Stacy -- who works for a talk show -- becomes a bona fide snoop. With her colleague, Barb, Stacy gets the names of Derek's ex-lovers and interviews them, supposedly for an upcoming show. But what she learns only adds to her confusion, and her plans begin to unravel when she befriends one of the women.